Paesaggio (Orto botanico in Tbilisi con Tsintsadze), 2017, drawing pen on paper, cm 29.7 x 42
Paesaggio (Goethe Park con Britten), 2017, drawing pen on paper, cm 29.7 x 42
Paesaggio (Charlottenburg Park con Haydn), 2017, drawing pen on paper, cm 29.7 x 42
Paesaggio (Tiergarten mit Mozart), 2013, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2013, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2013, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2013, drawing pen on paper, cm 42 x 59.3
Paesaggio (Tiergarten mit Mozart), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (veduta di Gallipoli), 2011, acrylic, spray colour, permanent marker and pastel on etching, cm 29 x 39
Paesaggio (Botanische Garten in Berlin mit Mozart), 2016, drawing pen on paper, cm 42 x 59.3
Paesaggio (Botanische Garten in Berlin mit Ligeti), 2016, drawing pen on paper, cm 29.7 x 42
Paesaggio (Botanische Garten in Berlin mit Ligeti), 2016, drawing pen on paper, cm 29.7 x 42
Paesaggio (Botanische Garten in Berlin mit Ligeti), 2016, drawing pen on paper, cm 29.7 x 42
Paesaggio (Botanische Garten in Berlin mit Debussy), 2016, drawing pen on paper, cm 29.7 x 42
Paesaggio (Botanische Garten in Berlin mit Ligeti), 2016, drawing pen on paper, cm 29.7 x 42
Paesaggio (veduta della fontana di Trevi), 2015, acrylic on oil on etching, cm 55.8 x 78
Paesaggio (Etretat, Falesie d’Aval), 2015, drawing pen on paper, cm 42 x 59.3
Paesaggio (Etretat, Falesie d’Amant), 2015, drawing pen on paper, cm 42 x 59.3
Paesaggio (Sifnos, Tsopos), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Sifnos, Vroullidi), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Sifnos, Vroullidi), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Serifos, Aghios Sostis), 2015, drawing pen on paper, cm 42 x 59.3
Paesaggio (Mandrachia. Milos), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Cape Corniche, Marsiglia), 2015, drawing pen on paper, cm 42 x 59.3
Paesaggio (La Ciotat), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Veduta del porto di Otranto), 2011, pastel and permanent marker on etching, cm 24 x 34
Paesaggio (Sardegna, Piscinas), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Sardegna,Costa Rei), 2014, drawing pen on paper, cm 21 x 29.7
Paesaggio (Milos, Voudia), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Bandol, Renecros), 2015, drawing pen on paper, cm 42 x 59.3
Paesaggio (Trouville-sur-Mer), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (Warnemünde), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (veduta di Milano), 2011, acrylic, spray colour, pastel and collage on etching, cm 32.5 x 70
Paesaggio (Schiller Park mit Bach), 2016, drawing pen on paper, cm 42 x 59.3. Private collection
Paesaggio (Schiller Park mit Bach), 2016, drawing pen on paper, cm 42 x 59.3
Paesaggio (La Senna presso Chatou), 2014, drawing pen on paper, cm 42 x 59.3
Paesaggio (veduta di Ferrara), 2013, acrylic, spray colour, pastel and collage on etching, cm 53 x 65
Paesaggio (Piramide di Caio Cestio), 2008, acrylic on etching, cm 24 x 34
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Contingency enters even the most rigorous composition. It is hidden behind each single movement of the hand. Painters are constantly faced with surprise. If, while they are painting, a drop falls onto the sheet, they do not rule out they might use it. In any case, they have to deal with it, whether they erase it or draw it.
A drawing is made simply of the lines sketched, the observer should not complete it by referring to what it depicts. Fixing a shape is something that happens in your memory. A painting is a representation in the plural form.
Memory already holds any image the eye, by seeing, simply has to retrieve. Through this time variation, the shape is processed and, once finished, it separates from us and does no longer belong to us. So, the only right to possession lies in the originality of the seed we have inside etc. The life of a painting starts when the painter’s life disappears…
Valerio Adami
(from “Thoughts of a Lake Painter”, in the catalogue “Flavio de Marco. Stella” at Galleria nazionale d’arte moderna in Rome, 2014)
"Ein Abend im Botanischen Garten", by Berlin Factory, 2017
